Sunday, November 29, 2009

Beyonce's career

Musical style and image
Music and voice:
Knowles has always been identified as the centerpiece of Destiny's Child. Jon Pareles of
The New York Times commented that she has the voice that defines the group, writing that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting".James Anthony of The Guardian called her voice distinctive and fast, with almost hiccuping vocal technique. Other critics praise her range and power. In reviewing her second album B'Day, Jody Rosen of Entertainment Weekly writes "Beyoncé Knowles is a storm system disguised as a singer. On her second solo album, B'Day, the songs arrive in huge gusts of rhythm and emotion, with Beyoncé's voice rippling over clattery beats; you'd have to search far and wide — perhaps in the halls of the Metropolitan Opera — to find a vocalist who sings with more sheer force...No one — not R. Kelly, not Usher, to say nothing of her rival pop divas — can match Beyoncé's genius for dragging her vocal lines against a hip-hop beat." Chris Richards of the Washington Post writes, "Even when she's coasting, she soars above her imitators. It's all in her voice—a superhuman instrument capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars. Smitten, scorned, amorous, antagonistic—Beyoncé sings from all of these vantage points with undeniable virtuosity." The Cove magazine ranked Knowles seventh on their list of "The 100 Outstanding Pop Vocalists", giving her 48 out of 50 points based on several criteria ranging from her vocal ability to range to harmony. Knowles has often been criticized for oversinging. A prominent employer of melisma, she earns frequent comparison to such artists as Mariah Carey, whose vocal embellishments have been known to detract from the melody of their songs. Eye Weekly writes, "There’s no question that Beyonce is one of the best singers in pop, maybe one of the best alive...[However] as judicious as her singing can be, the effect in sum is still like being hit in the head with a fist in a velvet glove."
Knowles' music is generally contemporary R&B, but also includes genres of dance-pop, funk, pop and soul. While she almost exclusively releases English songs, Knowles did record several Spanish records for the re-release of B'Day. Destiny's Child had already recorded a Spanish song and received favorable responses from their Latin fans. Knowles took Spanish in school when she was young, but can now only speak a few words of the language. Prior to recording the Spanish titles on the re-released version of B'Day, she was coached phonetically by American record producer Rudy Perez.

Songwriting and producing:
Since Destiny's Child, Knowles claims to be artistically involved in her career. She received co-writing credits for most of the songs recorded by the group, as well as her solo efforts. Known for writing personally driven and female-empowerment themed compositions, she has stated that having Jay-Z in her life has changed a few of her thoughts about how men and women relate to one another. Some of her songs are autobiographical, which she has admitted are taken from personal experiences, as well as her friends'.
Knowles has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate
beats herself, but typically comes up with melodies and ideas during production, sharing them with producers. Knowles was recognized as a songwriter during the run of Destiny's Child in the 1990s and early to mid-2000s. She won the Songwriter of the Year award at the 2001 American Society of Composers, Authors, and Publishers Pop Music Awards, becoming the first African-American female and second female songwriter of all time to accomplish the feat. Knowles received three songwriting credits in a single year for co-writing "Irreplaceable", "Grillz" ("Soldier" was sampled on the song) and "Check on It", the only woman to achieve since Carole King in 1971 and Mariah Carey in 1991. In terms of credits, she is tied with Diane Warren at third with nine number-one singles.

Image:
Knowles has become known as a sex symbol. According to her, "I like to dress sexy and I carry myself like a lady," but she has said that the way she dresses on stage is "absolutely for the stage". As someone who is fond of fashion, Knowles combines its artistic elements with her music videos and performances. According to Italian
fashion designer Roberto Cavalli, she uses different styles and tries to harmonize it with the music while performing. The B'Day Anthology showed many instances of fashion-oriented footage, depicting classic to contemporary wardrobe styles. People magazine recognized Knowles as the best-dressed celebrity in 2007. Knowles' mother wrote a 2002-published book, titled Destiny's Style: Bootylicious Fashion, Beauty and Lifestyle Secrets From Destiny's Child, an account of how fashion had an impact on Destiny's Child's success.
As one of the most media-exposed black artists in the United States, Knowles has often received criticism that some believe is due to racism and sexism. A fan of hers points out, "[Knowles] portrays herself as a sex symbol rather than an artist." Toure of the
Rolling Stone stated that since the release of Dangerously in Love, "[Beyoncé] has become a crossover sex symbol a la Halle Berry ..." Her appearance in Vanity Fair magazine has also provoked speculations that her skin tone was digitally altered.
In 2007, Knowles was featured on the cover of Sports Illustrated Swimsuit Issue, the first non-model and non-athlete woman to pose on the issue and the second African American model after Tyra Banks.[44] In the same year, Knowles appeared on billboards and newspapers across the United States showing her holding an antiquated cigarette holder. Taken from the back cover of B'Day, the image provoked response from an anti-smoking group, stating that she did not need to add the cigarette holder "to make herself appear more sophisticated".
On April 24, 2009, Knowles appeared on
Larry King Live, where she gave herself a more political image and talked about everything from singing at President Barack Obama's inauguration, to racism that she has faced being an African-American. She said that Michelle Obama is "so chic," and even stated that singing for the Obamas' first dance was the highlight of her career.